Wendy Cheng previews my upcoming book: Dream of the Water Children

cloyd - COVER - FINAL -v2

A Black-Japanese Amerasian reflects on life in the present, with the traces of wars and their aftermaths. 2Leaf Press is pleased to announce the publication of Fredrick D. Kakinami Cloyd’s first book, DREAM OF THE WATER CHILDREN, MEMORY AND MOURNING IN THE BLACK PACIFIC, in June 2016. In Dream of the Water Children, Fredrick Kakinami Cloyd delineates the ways imperialism and war are experienced across and between generations and leave lasting and often excruciating legacies in the mind, body, and relationships.

READ The Preview Here:   http://2leafpress.org/online/preview-dream-of-the-water-children-wendy-cheng/

BOOK Release Date Changed!!

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My book — Dream of the Water Children: Memory and Mourning in the Black Pacific— is slightly delayed and will be released in Spring 2016.

For those anticipating, please forgive the delay.  Publishing a book is a very intense task between publishers and authors. There are many facets that, along with everyday life matters, keeps things changing and moving and needing work to make it right.

The book is in the “proof” stage so it is in the final stages.

Be on the look out for announcements and other fun things regarding the release!

MY BOOK – Coming Fall 2014

1 - Web Version

My Book will be released this Fall 2014, by 2Leaf Press!!

Introduction by Gerald Horne

Foreword by Velina Hasu Houston

Cover Art by Kenji Chienshu Liu

Here are just a few preview comments about the book:

Fredrick Douglas Kakinami Cloyd has written a profoundly moving and thought-provoking book. He courageously challenges our neat categories of identity, going beyond broadening our understanding of mixed race to touch what is human in all of us. This book will shift readers’ perceptions and assumptions and may change many lives. Above all, Cloyd is a master story-teller who honors and respects memory.

–Roxanne Dunbar-Ortiz, historian and writer

This is a mature book that moves fluidly, as the mind moves, untroubled by traditional distinctions between writing considered to be academic vs. creative, memoir vs. personal essay, sure-footed in unexpected ways. This genre-bending book is not “experimental writing.” The author knows what he wants to say and he knows how he wants to say it, seeking, in his own words, “restoration and reclamation” for silenced voices and histories never erased because they have not yet been written. Dream of the Water Children demands that its reader rigorously consider the constructed nature of memory, identities, and historical narrative. And it is also an enormously kind and passionate chronicle of a son’’s long journey with his mother. To read it is to marvel, to learn, and to discover anew what surrealist poet Paul Éluard said: “There is another world, but it is in this one.”

–Patricia Mushim Ikeda
    Buddhist teacher / activist
    Oakland, California

Can be read as a ghost story, a meditation on how to disassemble the heartbreak machines; a catalog of copious tears and small comforts. This is a challenging example of personal bravery and filial love. It puts the “more” in memory.

–Leonard Rifas, Ph.D
   Communications, University of Washington

2Leaf Press Book LINK: http://2leafpress.org/online/dream-water-children/

Upcoming Presentations I’m doing!

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October 26, 2013

8:00 pm

Reveries and Rage: On Colonization and Survival

Presenting with other Queer and Trans people against colonization

‘Dream of the Water Children’ Reading

at Audre Lorde Room, Women’s Building, Mission District, San Francisco

Tickets: $10-15  (Click here)

 

 

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November 2013

1:00 pm

Generation Nexus: Peace in the Postwar

Artists’ Exhibition and Panel Discussion

National Japanese American Historical Society, Building 640 Learning Center

(at Controversial Military Intelligence Learning Center)

Presidio, San Francisco, CA

November 17: Exhibit Opening (I will have a kiosk with other artists)

November 23: Artists’ Panel Discussion on Peace in the Postwar

Congrats so far to Blackanese Singer Judith Hill on ‘The Voice’

Black-Japanese singer Judith Hill has wowed the judges on the US television show: The Voice on her first night.  I am not a particular fan of these kinds of shows, but I always appreciate a Blackanese artist of success in the public limelight!  She is truly a great singer!

My Poem published in KARTIKA REVIEW!

Kartika Review is one of the best literary journals dedicated to Asian-Americans.

The current issue– the Spring 2012 issue has just come out.

My first poem has been published in it (page 54).

It is entitled: For Kiyoko, Epitaph/Chikai – which is dedicated to my mother who recently passed, just this past September.

CORRECTED: New Blog about the historical Black Pacific

My new Blog site focused completely on my work in the world:

NEW BLOG SITE  (click here)

Some folks have noticed that I am not posting as intensely as I was a year ago.  This is because I am focusing increasingly on my presentations and work on my multimedia project and book: Dream of the Water Children.

I will continue to work here, on my ainoko blog but I will be posting on my Water Children blog, which means I will be on this ainoko site a tiny bit less frequently.  Please continue to follow me.  If you’re interested in following progress on my book and to hear the underpinnings of the project, the historical and cultural legacies and thoughts that will continue to form this multi-layered project, please visit both my website on the book, and the blog.

My Dream of the Water Children WEBSITE  is on the tab at the top of this site with the title Dream of the Water Children along with an overview.  You can ALSO CLICK HERE.

NEW BLOG SITE:  CLICK HERE

Please stop by, support, spread the word, come to my presentations, make comments, “like my posts” and whatever else you can!  Thanks!

Race-Nation-Gender-Class-Nation: Forget it. Never Forget it

Pat Parker (1944-1989), poet, teacher and activist, wrote this poem: For the White Person Who Wants to Know How to Be My Friend  and had this wonderful line:

The first thing you do is to forget that i’m Black.
Second, you must never forget that i’m Black.

For any social difference that exists in any society, we can place it there, in the space of “Black.”   In any case, color-blindness, gender-blindness, mixed-space blindness, sexual orientation blindness, socio-economic class blindness, neighborhood blindness, body-size blindness, nationality blindness etc. etc. —  we have to pay attention to how quickly we may subsume, make invisible, refuse (ignore), make trivial, something that makes a difference.  Sameness is too valorized in the globalizing society.  It’s not about any particular choices we have in holding on and letting go—-because even this is an action and a series of action (holding or letting go, that is), that come from political positionings that rely on privilege, luck, ability, amount of trauma, fear, violence, and a host of other things that come from oppression and social constructions of society.

Let us not forget how completely and utterly different we are from each other.  This way, we truly understand diversity.  If we “understand,” then perhaps we do not understand difference at all.  We just consume, co-opt, and bring into our own history and culture and language and values, that OTHER.  This is a violence to that Other.

But in saying they are different, do we automatically become AFRAID?   Or do we automatically become ANGRY?  Do we automatically IGNORE?  Do we assume we can translate, communicate?   Yes we can communicate, but understanding its partiality is important.

Honor you.  Honor me.

In our difference.  Utterly different.  Utterly ourselves.  Yet somehow, we are related as humans, as that who has experienced pain.

Perhaps other things.  But do not assume equality.

Be human.

There . . . . . .  Can we allow difficulty, struggle, powerful connection and dissonance?

Jake Shimabukuro, the Ukulele, and Beautiful Eclectic Music!

Jake Shimabukuro and his incredible ukulele playing!!

He first attracted attention in his homelands of Hawaii, in 1998.  From then, he has progressed to one of the world’s foremost “global” ukulele players.  His playing ranges from Hawaiian traditional ukulele tunes, to American folk music, jazz, blues, bluegrass, and rock.  Truly wonderful.  He is a fifth-generation Japanese-American.

LINK to his website here.

Ted Talks:  He performs a variety of tunes:

 

He performs Michael Jackson’s THRILLER on KFOG radio in the US in 2008.

 

R&B! Black-Japanese and Italian-American Japanese R&B Singers Team up: Judith Hill & AI

“For My Sister” –  a collaboration between Black-Japanese singer Judith Hill and Japanese/Italian-American Asian sensation AI.

AI is a huge R&B sensation in many Asian countries including Japan, Taiwan, the Philippines, etc.  Judith Hill, as said in my earlier post of her music videos, is a sensation who was a former back-up singer for Michael Jackson.

AI – Facebook Page here

Judith Hill Facebook Page here